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Hi all, I've been experimenting with drum replacement lately, using either Drumagog or a VST freeware plugin called KTDrumtrigger in conjunction with Battery 3. Now that I've stumbled across a few problems I was wondering if anyone could tell me how the pro studios get those polished, in-your-face kick and snare drum sounds that are clearly the result of triggering or drum replacement. 1) How do I get clean enough close-mic tracks to use for drum replacement? This is more of a problem with snare drum recordings than kick drum tracks.

Usually you get a lot of bleed from the kick drum on the snare drum mic, so that the quietest snare drum hits (ghost notes, fills) are quieter than the bleed from the kick drum. This means that if you set the threshold for triggering so low that all snare drum hits are correctly triggered you will get a lot of false triggers from the kick drum. Jai Hanuman Serial Title Songs Download.

2) Are trigger mics still being used these days? I would imagine that if I used both a normal mic and a trigger on a snare drum I would get a good audio recording as well as a clean midi track I could use for drum replacement, giving me full flexibility over the drum sound. 3) Are multi-layer samples generally preferred over single-layer samples for kick and snare drums? 4) What are the currently most used drum replacement plugins? Is Drumagog still state of the art? In your situation nothing is completely automatic.

One can frequently heavily gate a drum. Then the output of the gated drum can be fed into something such as an Alesis H4 or H5 for their triggered drum samples. This can work out nicely but is rarely successful sounding with a drum roll. If you are actually recording the drums? Another suggestion would be to go to Radio Shaft and purchase a half dozen piezoelectric ' buzzers'. Break them out of their plastic packages, connect a wire to a 1/4 inch connector and tape them to the drumhead.

These are poor man's triggers that can now be used with various drum machines such as the H 4 or 5 and others. Of course commercial triggers are also available but will cost you much more $$. This is the least expensive way for experimenting and getting good results. You can also use them for acoustic guitar pickups. Cram one under the bridge of acoustic guitar and you have a poor man's Barcus Berry pickup.

They really work. Honest I've used them, made them. I enjoy a little pickup Mx. Remy Ann David.

I've contacted SPL for you, hopefully they are able to shed some insight on that product. Its been a while since I looked at this, but you can set velocities and sensitivities for anything in these triggers. Sometimes you need to break down certain parts of the track ( bars etc) to clean them up. Its editing and some things are easier than others. IMO, drums are something that can have a basic feel throughout the song so you can get the bed track pretty solid without too much editing. Once the bed track is done, you can fix the feel, use external sources like a drummer, drum machine, ' to add even more feel, the shots, rolls, whatever.